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How to Use Shadows to Make Light

Published on June 2, 2012 by in Lighting

Shadows can be used to make the light in a painting appear stronger in 2 ways. Tonalist paintings use value contrast, meaning black shadows make the white areas seem very bright.  This technique is somewhat limited, but always part of the solution by definition – shadows have to be darker. The other choice is to

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Highlighting Essentials for Painters

Published on March 19, 2011 by in Lighting

Highlights are an excellent way to dramatize lighting in order to make an impact. Highlighting is really any area of an object that is lit while other parts of the object are in shadow. It also tends to occur on the shadow side of objects due to reflected light. Highlighting is all about value contrast.

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Paint Aerial Perspective

Published on March 19, 2011 by in Lighting

Essential to lighting is an understanding of how light influences objects at different distances.  The atmosphere scatters light, typically making far away objects more blue.  More distant object will always be close to the atmosphere’s color, for instance, at sunrise, distant objects can be much more purple rather than blue.  Distant objects also tend to

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Paint Warm Light

Published on March 19, 2011 by in Lighting

As the day becomes later, the light becomes warmer and can be very intense when looking towards it. There are some easy steps to remember when painting strong light like this. Keep the light source area tinted with warm color. Objects tend to lose their edges in front of the light. The piece of land

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Paint Cool Light

Published on March 19, 2011 by in Lighting

At midday, especially during the summer months, daylight is actually very cool as well as bright.  Objects can become washed out as your eyes are blinded.  This is one effective use of lighting that can make viewers feel like they have to squint, recreating the experience as if they are in the scene.  In the painting, much of the color

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